Monday, August 16, 2010

'Boon' in the Bluegrass


Fall 2010 Issue of Kentucky Alumni
My novel, "BOON," received a nice write-up in the Fall 2010 issue of Kentucky Alumni magazine, the alumni publication for my Alma Mater, the University of Kentucky.

"BOON" has received many favorable reviews since it's release this past winter, including being ranked a Top-100 bestseller in the Kindle store at Amazon.com, and spending more than seven months in the top-10 on a Diesel eBooks top-seller list.

"BOON" is available for purchase from most any bookstore (chains and independents), as well as online at Amazon.com. It comes in hardcover, paperback and digital formats.

(Twitter Me)

PLEASE NOTE: There may be some disruption in accessing my blog during the coming weeks as I migrate to a new blogging software. In the meantime, please excuse the redirects.

-- TJ Sullivan is the author of the novel Boon.

Sunday, May 02, 2010

My iPod, May 2010


Here's the latest monthly iMix of what I'm listening to on my iPod. Click this link, or the box above, to visit the iMixes at iTunes.

(Twitter Me)

More information about TJ Sullivan's debut novel "Boon" is available at WhatTheBoon.com.

Thursday, April 29, 2010

Volcano Was 'A Lava, Not A Fighter'


Graphic by TJ Sullivan ©2010
I got a very nice write-up today from Courtney Hazlett, a broadcast journalist and author of The Scoop for MSNBC's TodayShow.com.

Courtney and I spoke Wednesday about the two weeks I spent procrastinating, er, I mean writing more than 100 humorous Tweets in the persona of the Icelandic volcano @Eyjafjallajokul. It was great fun, and, much to my surprise, remarkably popular. I did nothing to promote it, didn't follow a single person who wasn't following me first, and yet, somehow, it attracted more than 2,500 followers in less than two weeks time. So why stop? Because there's only so much funny in one character. As I mentioned to Courtney, the volcano had the good sense to stop, and so did I. Just imagine the needless suffering that could have been eliminated had the producers of the Police Academy movies shown such restraint.

From Courtney's column:
In the real world, the Eyjafjallajokull volcano was a menace, but in the Twitter world, @Eyjafjallajokul was “a lava, not a fighter.”

Between April 15 and April 27, the ash-spewing Icelandic volcano had a Twitter persona — and a following of 2,510, at last count.

[SNIP ...]

The man behind it is T.J. Sullivan, journalist and author of the novel “Boon.” Sullivan said via phone that doesn’t make a habit of tweeting in the voice of a natural disaster, but this was “a great way to procrastinate” as he works on his second book.

Read the full column at this link.

(Twitter Me)


PLEASE NOTE: There may be some disruption in accessing my blog during the coming weeks as I migrate to a new blogging software. I currently use the Blogger FTP Publishing platform, but it is set to be shutdown for good on May 1.

-- TJ Sullivan is the author of the novel Boon.

Wednesday, April 28, 2010

A Few Blog Disruptions Expected

Due to the planned shut-down of FTP publishing by Blogger on May 1, readers may experience some difficulty with RSS feeds and when accessing archived posts here at TJSULLIVANLA.com during the next few weeks. In addition, the URLs of some archived posts might have to be changed. I'm still working on the transition, but I'll update the status as soon as I get it all worked out.

Stay tuned and thanks for your patience ...

-- TJ

Saturday, April 24, 2010

LA Today: Poolside in Downtown LA


-- Photo By TJ Sullivan -- Click to View Larger Version --

Downtown Los Angeles, as seen from the roof of the Barker Block Lofts.

Captured this one with the Google Phone (G1) camera.

(Twitter Me)

View more LA Today photographs at this link.


-- TJ Sullivan is the author of the novel Boon.

Friday, April 09, 2010

This American Line

The shortest lane stretched seven carts back from the register, all the way to the makeshift tables constructed of plywood and four-by-fours, the kind of tables that warehouse stores routinely load with discount-priced, name-brand fashions from foreign countries; well-known labels that advertise in major magazines, on billboards, and on TV. The woman in line just ahead of me turned her head, looked back and around, beholding the busyness that surrounded us. She held several items in her arms -- a bulk-sized cylinder of disposable cups, some paper plates, napkins … But no cart. No cart? Anyone without a cart in a warehouse store is immediately suspect. No one just stops by a warehouse store to pick up a few paper products.

I scanned the nearby lanes and, as I surmised, she had an accomplice.

A man with a cart full of items stood in the line to our left, his eyes making contact with the woman every few seconds. She kept her elbows tucked to her sides and made small, subtle motions with her hands, pointing first to her cashier, then to his, clearly seeking direction. Did he want her here? There? The man responded by opening his hand, his wrist still resting on the cart handle, his fingers up and tight together, as if to say stop ... stay ... wait.

How devious! This man and woman were playing two lanes at once. Call it what you want, but I call it taking cuts.

I spoke on impulse, said something like "that's not cool," to the woman, who shot me with a bewildered look and a terse reply.

"What?"

"Playing two lanes at once," I said. "The store's busy. Everybody waits their turn, but we all have to pick one line. Just pick one."

There are lots of ways to say something like that, and I'm not sure whether my tone was civil, or curt. But the words that came out of the man with the cart in the next lane suggested that I had been curt.

"Shut up, we're not breaking any laws, she's fine," the man said.

He appeared, to me, like a husband. I can't really explain what a husband looks or sounds like, except to say that I'm married and he looked and sounded the way I would look and sound if someone dressed my wife down in a checkout lane.

I laughed, not intentionally, but out of incredulity, the same way I did 20-some years ago as a restaurant waiter after I’d accidentally spilled an entire glass of Cabernet Sauvignon on a customer in a cream-colored suit. I wasn't laughing at the guy, I was laughing at the tragic irony of the situation. He wore a cream-colored suit. He ordered red wine. A law governing checkout lane etiquette? Of course! A law! Why not a law? Laws are the 21st Century solution to everything, and this churlish situation was in desperate need of something like that. By all means, summon the state Legislature, place the US Congress under call … Phone the President on the red line! The golden rule needs teeth. All of America seems to have forgotten that most basic childhood mantra: No cuts. No cuts. No cuts.

Somebody had to speak up.

I knew what I wanted to say. I had the word right at the edge of my brain. It was a grown-up word, a positive word, the only word I needed to utter and everyone within earshot would surely nod in agreement, but then … the word was gone. It slipped away and out of my head. So, I said something less ideal.

"Unethical."

I said it was “unethical” to take cuts, which, in a warehouse store checkout lane is like ... well, uh … like ... like ranting about ethics in a warehouse store checkout lane.

"Ethical?" the husband said. "What's ethical? What are you talking about? There's no rule. No rule. No law. No ..."

My brain went offline and became locked in a word-search stutter "it's ... it's ... it's ..."

Everyone was staring at me with their ears.




This was my Ira Glass moment, my "This American Life" story. This was the point at which the music crescendos and wanes to clear the way for the voice of that public-radio icon, Ira Glass, so that he can offer a poignant moment of reflection, explaining that this is where I realized I'd passed the point of no return, that I could either continue to argue and risk looking like a hothead, or capitulate. I could apologize. I could walk away. Pick one. Same result. I lose.

This was what Ira Glass describes as "the cringe," that moment in which we realize that "the world sees us differently than we really are ... and not in a good way."




There I was, standing behind my cart, this word "unethical" hanging in the air between checkout lanes, when some guy in line behind me speaks up, my one-man cavalry.

"It's discourteous," the guy behind me said.

I didn't know who he was. Still don’t. But the moment I heard his voice I wished he hadn't tried to help. By this point, even I had begun to doubt whether I’d done the right thing. As bad as it felt to be branded a fool, I preferred it to being seen as an agitator. So, I didn't turn around to thank the guy behind me, nor did I explain that, yes, "discourteous" was a much better word than "unethical," but still a negative word, and not the positive one I’d lost.

I was ready to let it all drop when the guy behind me picked it up again.

"That's the problem with you people," the guy behind me said. "You people come to this country and you don't have any respect for it."

I didn't just cringe, I immediately said what I thought: "THAT is not at all what I'm saying," I said.

Up until that moment I had completely overlooked a detail that obviously made a difference to the guy behind me. To him it was not only obvious, but a far more serious issue than simply taking cuts in a checkout lane. You see, the woman in front of me, and her husband, appeared to be Asian Americans, though, of course, it was impossible to determine exactly how many generations their family had been in the USA.

I'm fifth generation Irish American, which I rarely profess, but when I do it often elicits some crack involving alcoholism.

The husband, justifiably I think, told the racist guy behind me to stuff it. The wife let the guy have it too.

I finally turned to have a look, couldn't help myself, and, sure enough, the racist guy behind me wasn't just white, he could have reasonably been mistaken for a relative, my brother maybe, or a cousin. Irish. Got to be some Irish in there.

I cringed again.

"I'm not saying that at all," I repeated, quietly this time, as though lowering my voice would further dissociate me from the white racist guy behind me.

"Why don't you people go back where you came from," the white racist guy behind me continued, and all I could think about was every white racist I'd ever encountered, most of whom I met while in the course of performing my duties as a journalist during the past 20 years. I used to puzzle about what it was that made some racists confide in me their utterly ignorant points of view, especially when it never had anything to do with the stories I happened to be reporting at the time. Did they think I agreed with them? Was it because I'm white too? Of course. That was exactly it. Racists believe skin color determines character, or lack thereof. So, they also assume everyone who looks like them shares their hatred. Ignorance has no off switch.

I hesitated to respond.




Few in the news media report these kind of stories, except the radio program "This American Life." It tells tales like this all the time, and I can only imagine how difficult it is for them to persuade people to particpate. This is a discussion from which many shy away, not just for the fear of being misunderstood, but the fear of what might be revealed.

During the last presidential campaign, for example, an episode of “This American Life” titled "Ground Game," which first aired on October 24, 2008, focused on union members who’d been challenged to confront the racism of colleagues who refused to vote for presidential candidate Barack Obama simply because of his race.

One of the union members interviewed for that show remarked that he regretted the experience. However noble the quest may have been, it opened his eyes to the hate that he never realized existed in the hearts of his friends and coworkers. This was hate he could not quell, and it changed his perception of the people he saw every day.

I'm sure I'm not the only one who used to know folks like that, at least until I realized it. Thanks to the ease of e-mail and the reconnections afforded by social-networking sites like Facebook, such revelations have become even more common. It happens every so often. Someone I’ve known for years will include me in an e-mail forward of some racist joke they thought was funny. My response is always the same. I express my disappointment. I describe the joke as “ignorant.” I tell them to forget my e-mail address.




As the fracas between the couple and the racist man behind me continued, I noticed another checkout lane open up. I moved fast, physically distancing myself from all three participants without so much as a word.

The verbal confrontation went on, and, though I couldn’t see, it sounded as though it nearly came to blows. The woman’s voice boomed as she warned the racist guy behind her that she would sue if he hit her ankles with his cart.

I felt ashamed, as though I should at least walk over and apologize to the woman and her husband, but I couldn’t. Not only was I unsure of how to express what I felt, I was afraid of being misunderstood. I never for a second suggested anything hateful, I simply objected to blatant line cutting, which, granted, now seems ridiculously insignificant considering how things had escalated. As for the racist guy, nothing I had to say could save him from drowning in shame. My only motivation for diving in would have been to comfort the couple and to save face. I wanted to show the couple, and all those strangers around us, that I was not with this loser, that I knew ignorance when I heard it, that this isn’t the way our American life is supposed to be.

And if I went that far, I’d have to go further. I’d have to give a history lesson, to explain that this was not why we go to war, not what our soldiers die defending. This is what we’ve been struggling for centuries to change. Even my ancestors were victims of it for generations. The term “you people” may sound nicer than a racial epithet in 2010, but it’s really just a cowardly way of saying what “dirty Irish” meant in the 19th Century. Merchants may no longer post the 21st Century equivalent of “NINA” signs in their windows -- signs so named because they said “No Irish Need Apply” -- but the message is imparted in other ways -- in attitudes, in tones of voice, in body language. My great, great grandfather changed his name from O’Sullivan to Sullivan in the hope that, without an “O,” it would be more difficult for ignorant people to determine his ethnicity. The Irish were ridiculed publicly, and popularly, as inferior. They weren’t the first, and, I’m sorry to say, they weren’t the last.

Had I started in on the racist guy, I’d have told him that every time I hear someone denigrate or demonize minorities, I translate the words into “dirty Irish mick,” but I didn’t say anything. No one else did either.

No one spoke up. No one. Not necessarily because they were on the side of the racist guy, but probably because lecturing someone on race relations in a warehouse store checkout lane is like … well … it’s like ranting about race relations in a warehouse store checkout lane. Where does it stop? After pulling items from the guy’s cart to highlight the many countries that manufactured the goods he’s purchasing? While checking the labels of his garments to list the nations that put the clothes on his back? Before following him out to his car to reveal that, though it may be the product of an American company, it was either assembled abroad and/or comprised of parts from several different continents?

As I loaded my purchases into my car I watched for the couple in the parking lot, figured I could at least offer a handshake. I didn’t see them, but I thought about them all the way home. I’ve thought about them most every day since.

I’ve encountered several more instances of line cutting in the past couple weeks, but I care a lot less about it now.

Queues. Lines. Americans are obsessed with lines. So many people boast about the short cuts they succeed in taking -- short cuts on their commute, short cuts in business, short cuts to buying, or selling, a home -- then they decry the unfairness of those who cut in line ahead of them. Many proudly declare the accomplishments of their ancestors, the ones who came to America with nothing in their pockets, yet they fail to see the hypocrisy of demonizing today’s penniless immigrants. American politicians on both sides of the issue talk about all of this in terms of lines. Who should stand in what line? Who should be allowed to stand in the line? Should we close the line to this group, or that group, or all groups?

Basic human decency rarely warrants a mention.

I once asked a conservative Congressman how he could reconcile his radical stand on immigration with his Christian morals, particularly the biblical ideal imparted in the phrase “love thy neighbor.” He didn’t respond, but an aid said later that I had submitted my question too late, other questions were in line ahead of mine, there wasn’t time to address my concern.

Decency.

That’s the grown-up word I forgot while standing in line.

It appears I’m not alone.


(Twitter Me)

TJ Sullivan is the author of the novel “Boon.”

Friday, April 02, 2010

My iPod, April 2010


Here's the latest monthly iMix of what I'm listening to on my iPod. Click this link, or the box above, to visit the iMixes at iTunes.

(Twitter Me)

More information about TJ Sullivan's debut novel "Boon" is available at WhatTheBoon.com.

Monday, March 29, 2010

LA TODAY: 'This American Life' in LA


-- Photo By TJ Sullivan -- Click Photo to View Larger Version --

"This American Life" host Ira Glass, at a KCRW event Saturday in UCLA's Royce Hall, exhibiting a talent for making balloon animals.

(Twitter Me)

View more LA Today photographs at this link.


-- TJ Sullivan is the author of the novel Boon.

Tuesday, March 09, 2010

Remembering Hank


Photo by Sophie Bassouls/Corbis Sygma


The poet and novelist Charles Bukowski died on this day, March 9, in 1994.

In his memory, an excerpt from his poem "Old Man, Dead in a Room," first published in "The Outsider" magazine in 1961:
"... and as my grey hands
drop a last desperate pen
in some cheap room
they will find me there
and never know
my name
my meaning
nor the treasure
of my escape."

Roger Ebert has a nice online memorial to Bukowski set up at the Sun-Times Web site. Check it out.

(Twitter Me)

More information about TJ Sullivan's debut novel "Boon" is available at WhatTheBoon.com.

Monday, March 01, 2010

My iPod, March 2010


Figured I'd try posting iMixes for a couple of months and see how it works. Click this link, or the box above, to visit the first of my monthly iMixes at iTunes.

As always, I welcome your thoughts in either the comments section, or via email.

(Twitter Me)

More information about TJ Sullivan's debut novel "Boon" is available at WhatTheBoon.com.

Thursday, February 18, 2010

Detroit 2010



A brief slideshow featuring a few of the photos I shot with my Google Phone camera during a recent trip to Detroit.


Also, view photos individually in the Darkroom.


(Twitter Me)

More information about TJ Sullivan's debut novel "Boon" is available at WhatTheBoon.com.

Wednesday, February 03, 2010

Journalist To Novelist In One Step


©2010 Daisy Getty Design
Six years ago I quit my job as a newspaper reporter to go write books.

No. Not just books.

I quit my job as a journalist to go write novels.

Fiction.

Now, given the current condition of the newspaper industry, that probably makes me look like a genius to some, as though I ought to be waxing rhapsodic on the eve of my debut novel's publication. ["Boon" is available in stores and online. View the trailer at YouTube, read an excerpt, or visit WhatTheBoon.com.]

Indeed, several newspaper friends have inquired in recent weeks as to how they might do the same thing. How, they ask, does a journalist becomes a novelist?

"How?"

I've written and rewritten the answer to that question at least 100 different ways in the past week, all of which amounted to very poetic piles of steaming horseshit.

You want to know how? My answer is "no."

No.

Few journalists have ever accomplished anything worthwhile without first hearing "no" -- No, you can't talk to him ... No, you can't have that document ... No, you aren't allowed -- so that's my answer.

No.

When I started down this road, back in 2004, my life was good. I'd been a journalist for 15 years, more than half of which I'd spent writing for a growing, mid-sized newspaper in suburban Los Angeles. It was a dream job, well, as close as I was going to get to a dream job in journalism anyway, and the only job I wanted at that particular paper, a position that allowed me to spend weeks at a time researching and writing in-depth stories, but with enough flexibility to also dive into bigger news events as they occurred -- murders, manhunts, wildfires. Sure, if The New York Times had rung me up and invited me to come work for them, I'd have gone, but the only reason anyone from that paper ever called was to pitch a subscription special, and, well, I was OK with that.

The trouble was, I never intended to spend my life working for newspapers.

The only reason I got into it was because newspapering was the route most of my favorite writers took -- Twain, Hemingway, Thompson. Journalism was a way to see the world, or, at least, more than I would have seen otherwise. Writing for a newspaper provided me the kind of access no amount of money could buy, not that I had any money to begin with. I met heads of state, royalty, saintly people, and heartless scoundrels. I heard tales of tragedy, loss, and redemption straight from those who'd experienced it, and sometimes I even saw an injustice put right because the newspaper published a story about it. My experience was no more remarkable than any other reporter's, but I loved it, all of it, even the hate mail and the threats, which I quickly learned to interpret as indicators that I was doing the right thing.

But, then, one day I just woke to the realization that I'd stayed too long.

The newsroom reaction to my departure was mixed. Some of my colleagues were very supportive, while others treated me like a silly heart, as though the pressure had finally gotten to me, their well wishes the sort of sweet nothings you'd expect to see inscribed on Valentine candies.

"Good luck."

"You're brave."

My sources in government circles shared with me the wildest explanations they'd heard, gossip about how I'd finally stepped on the toes of some pol powerful enough to demand my dismissal. A few even offered to speak to my boss on my behalf, in defense of my job. A book? Even they could have made up a better excuse than that.

The most frank assessment came from one of my favorite editors, who, I'm glad to say, is still a good friend. She called the move "a mistake."

It was the most wonderful thing anyone could have said to me.

"A mistake."

It was the same as saying "no."

No, you can't have that. No, you can't go in there. No, you're not on the list.

So, how does a journalist become a novelist? There's not much in the how-to realm of writing that hasn't already been said so many times in so many books that bookstores dedicate entire sections to the issue. About all I can add is what you're bound to hear thousands of times before, during, and after writing your first damn book:

No.

No, you can't do it. No, you'll never do it. No, don't even try.

No.


More information about TJ Sullivan's debut novel "Boon" is available at WhatTheBoon.com.

An excerpt of "Boon" is online at TJSullivanLA.com.

Sunday, January 31, 2010

Official 'Boon' Web Site Now Online


— Artwork © 2010 Daisy Getty Design —
The official Web site for my novel, "Boon," went live Sunday night.

The new site offers readers an opportunity to learn more about the book, its characters and setting (be sure to check out the character profiles). There's video and audio, as well as events listings, and press info.

Check it out at: WhatTheBoon.com.

(Twitter Me)

-- TJ Sullivan is the author of the novel Boon.

Thursday, January 28, 2010

'Don't Ever Tell Anybody Anything ...'


If you really want to hear about it, the first thing you'll probably want to know is where I died and what my lousy adult life was like, and how I could turn away from writing and all before you were even born, and all that Harper Lee kind of crap, but I don't feel like going into it, if you want to know the truth ...

RIP J.D. Salinger.

The New York Times obituary.

(Twitter Me)

-- TJ Sullivan is the author of the novel Boon.

Tuesday, January 26, 2010

Boon: A Novel, and Playlist



When I was outlining my novel "Boon," I created a playlist of songs with themes similar to those in the story, or that I identified with particular characters. This is that playlist.

Also ... I'll be the guest at tonight's SPJ-LA Mixer in Downtown LA. More info at LAObserved.com

(Twitter Me)

-- TJ Sullivan is the author of the novel Boon.

Wednesday, January 20, 2010

First Book Signing Set for 'Boon'




The first book trailer for "Boon" is online [short version above, full-length version at right]. Although the concept of book trailers may seem odd to some, it's becoming more common in the book industry for both fiction and non-fiction. I'm interested in hearing what you think about the concept.

Also ... I'll be making my first official appearance as the author of "Boon" on Tuesday, Jan. 26, at the Society of Professional Journalists - Los Angeles Chapter Mixer in downtown Los Angeles.

The mixers are very casual, so I expect to keep it brief, a Q&A perhaps, more of a conversation than a "talk." The focus of the discussion will be the journey from journalism to fiction. I initially referred to it as a "road" from journalism to fiction, but changed my mind as the word "road" implies that there is a distinct path between the two worlds, which, in my experience, is not the case.

There will be no reading. I learned long ago to never read aloud in a bar. But, I will gladly sign a few books.



THE LOWDOWN:

WHEN: Tuesday, Jan. 26, at 6:30 p.m.

WHERE: The back room at the Redwood Bar and Grill, 316 W. 2nd Street in downtown LA; 213-680-2600. Street and lot parking is available in the area. The bar is close to the Civic Center Red Line Metro stop.

COST: It’s free fun for all! (You’ll have to buy your own drinks. Happy hour ends at 7 p.m.).

SPJ-LA asks that you let them know you’re coming by sending an e-mail to: spjlosangeles@gmail.com.

More info is available in the SPJ press release on the event. Download it in pdf format. Or, view it online at the SPJ-LA Web site.

Hope to see you there.

More information about "Boon" is available on the Books page.

(Twitter Me)

-- TJ Sullivan is the author of the novel Boon.

Sunday, January 17, 2010

Can This Machine Save Bookstores?



Will bookstores become extinct?

I don't think so, and here's just one reason why: The Espresso Book Machine.

The ability of the EBM to create books on-demand at the point of sale not only makes it possible to greatly reduce the amount of real estate that bookstores have to lease (shelving one sample book of every current title takes a lot less space than shelving dozens), but it also eliminates shipping costs, and ensures that no bookstore will ever run out of a particular title. In green terms, it means far less books will be returned to publishers [to be destroyed] since books will only be printed on-demand.

Pretty cool stuff.

The EBM was in the news again this week with the announcement of a new agreement with Xerox. As the LA Times Jacket Copy blog highlights in its January 14 post, the EBM is expected to show up at seven new venues this year (mostly university libraries and bookstores). Bookstores have so far been slow to embrace the EBM, both because of the cost (about $125,000 per machine, says Jacket Copy) and concerns about digital files and piracy (the EBM makes it possible to print more than 2 million books in Google's public domain catalog, which has been the focus of much legal wrangling).

(Twitter Me)

-- TJ Sullivan is the author of the novel Boon.

Friday, January 01, 2010

LA TODAY: First Sunset of 2010


-- Photo By TJ Sullivan -- Click to View Larger Version --

The first sunset of 2010, as seen from Santa Monica, CA.

Captured this one with the Google Phone (G1) camera.

(Twitter Me)

View more LA Today photographs at this link.


-- TJ Sullivan is the author of the novel Boon.