Thursday, February 14, 2008

LAO: Spare Me The 'Happy' Crap

My latest post at LA Observed's Native Intelligence:
Some days I miss that I no longer work in an office. I miss the distractions, the tangents, the spontaneous foolishness somewhere around 4 o'clock. But I don't miss any office today.

Today the workplace becomes an extension of the classrooms we inhabited as children, where near strangers exchange candies and cards with messages like "hot stuff" and "be mine," the kind of things that, on any other day of the year, would result in ...

Read the rest at LA Observed's Native Intelligence

— TJ Sullivan in LA

Journalism's Gradual School

Every year, about this time, a former student from one of my journalism courses, or whose writing I've coached, asks that I recommend them for employment at some publication, or as a candidate for graduate school. Most of the time I'm happy to do so, although, in the past few years I've begun to see a common weakness among all the applicants.

Seeking a career in journalism alone has caused me to question their judgment.

I made this observation recently when a grad school application form (they get longer and more involved every year) asked me to identify a shortcoming of the prospective student. My reply: Despite obvious intelligence and talent, this person is about to invest an obscene amount of money, time and effort in pursuit of a career in a declining industry.

Considering the events of the past few years, money like that might be better spent on a BLOCKBUSTER® franchise.

Today's report of staff cuts at the Los Angeles Times, and the recent departure of its editor, James O'Shea, are only the latest in a long list of reasons for such doubt. Before O'Shea it was Dean Baquet. Before that, John Carroll. And that's just the LA Times newsroom. The battle of the budget has been going on for years, but the debate about profit margins and public service really began in earnest after the resignation of Jay Harris as publisher and chairman of the San Jose Mercury News. Reporters complain so much that their gripes rank somewhere beneath the whining of wet infants, but when the big guys begin to cry foul, it has to be something far more serious than temporary discomfort. Doesn't it?

Yet, seven years and hundreds of budget cuts after Harris, here we are, with some publications farming out their Fourth Estate responsibilities to freelancers, some of whom are staffers who took a buyout. Last year, a Pasadena paper actually considered outsourcing the task of local reporting to journalists in India.

Where's this going? Well, for a start, since few freelancers are able to afford the cost of liability insurance, they aren't likely to risk upsetting anyone by doing anything more than regurgitating meeting minutes and taking dictation. Of course, some journalists will say a graduate degree ought to rise above this and all but guarantee a staff slot, but then, reporters are also notoriously bad at math.

There's a line in the movie "The World According To Garp," adapted from John Irving's novel of the same name, in which the protagonist Garp explains: "Gradual school is where you go to school and you gradually find out you don't want to go to school anymore." Journalism, likewise, is fast becoming a noble pursuit in which journalists are gradually determining that they don't want to be journalists anymore.

Few non-journalists sympathize with this, which is exactly why the situation is sure to worsen.

More newsrooms will shrink. More newspapers will die. Journalism schools will become fewer. The world won't end, but it will become a more comfortable place for scoundrels.

Thomas Jefferson said: "Were it left to me to decide whether we should have a government without newspapers, or newspapers without government, I should not hesitate a moment to prefer the latter." Without oversight, the effectiveness of democracy will dwindle. At some point, the budget cuts will go so deep that non-journalists will feel the pain and demand action, or effect change in the marketplace. But determining when that will happen is about as difficult as predicting how bad freeway traffic has to get before LA drivers simply abandon their vehicles en masse and walk the rest of the way.

Society is the key to salvation, and society currently sees newspapers as businesses, not as the Fourth Estate these publications were always intended to be. Therefore, things have to get worse before they get better, so bad that the issue gets as much attention and prime-time play as Britney Spears, Paris Hilton and Lindsay Lohan combined.

Until then, I'm happy to continue writing recommendations, but I'll also continue to list the act of application as the student's most glaring weakness. I have no doubt these students will have a harder time than I did when they try to put that education to the good use for which it was intended. But I also know that every one of them is aware of what's in store, and that's what makes the application a display of strength, too.

— TJ Sullivan in LA

* Cross posted at LA Observed

Monday, February 11, 2008

Over 38 Too Old To Do What?

My friend and fellow Los Angeles writer Susan Josephs had a letter in this weekend's edition of The New York Times that called attention to something Charles McGrath said about age and authorship:
In his otherwise excellent profile (Jan. 27), Charles McGrath observes that Charles Bock is a “little old to be a first novelist” at age 38. Good thing Henry Miller, Anaïs Nin, Joseph Conrad, George Eliot, Stephen Carter, Julia Glass and the nonagenarian writer Millard Kaufman, to name a few, didn’t think they were all washed up when they turned 38.

We could go on and on with a list of authors who made their debut after the age of 38, but let's especially not forget the late bestselling author (and Southern Californian) Sydney Sheldon, who penned his first novel, The Naked Face (nominated for the Edgar Allan Poe Award), in 1969 at the age of 52.

(Crossposted at LA Observed's Native Intelligence.)

— TJ Sullivan in LA

Wednesday, February 06, 2008

'I Stopped Paying,' Says LA Writer

CNNMoney.com quotes an anonymous Los Angeles writer today who says he's just going to walk away from a mortgage that's become too costly.

Unfortunately, CNN does not tell us who the writer is, although it hints that this was investment property (he apparently bought two properties in Hancock Park with the intention of flipping them quickly). CNN also doesn't tell us what kind of writer this guy happens to be (journalist? author? screenwriter?), or if he's a member of the Writer's Guild (and therefore on strike). There's a lot that's not there, including a reason to feel sorry for someone who appears to have known the stakes when he pushed his chips forward.

From the story at CNNMoney.com:
NEW YORK (CNNMoney.com) -- Mortgage payments are set to jump. Home prices have plunged. "I'm outta here."

Homeowners are abandoning their homes and, more importantly, their mortgages, rather than trying to keep up with rising payments on deteriorating assets. So many people are handing their keys back to lenders that a new term has been coined for it: jingle mail.

"I stopped paying my mortgage in October, after shelling out about $70,000 in interest [over 15 months]," said one borrower, David, who doesn't want his last name used. "Now, I'm just waiting for the default notice."

The Los Angeles-based writer bought two properties in Hancock Park, west of downtown, using no-down, interest-only mortgages in 2006. He paid just over $1 million for both.

David had planned to sell them quickly but got caught in the slump. Soon his interest rate will jump by a few points, and his payments will go up by several hundred dollars a month for each place. He figures his properties have fallen in value by at least $60,000 each.


— TJ Sullivan in LA

Tuesday, February 05, 2008

NATIVE INTELLIGENCE: No Pigeons

A new post written by yours truly at Native Intelligence:
"I've been photographing fake owls around Los Angeles for years, forever seeking birds that aren't fooled by those evil, baby-doll eyes. But it was while doing research in Vancouver, BC, this past summer that I finally discovered a pigeon that was no pigeon. This bird knew that owl was ..."

Read the full post at Native Intelligence.


— TJ Sullivan in LA

Quote of the Day

"Writers must stick together like beggars or thieves."

-- Ernest Hemingway
I first saw this quote referenced in Carolyn See's wonderful book Making A Literary Life. Since then, I've seen it cited several places, but I've yet to identify the source. If you know the Hemingway work in which this appeared, or what article quoted him as saying it, please pass the citation info along in an e-mail. Thanks.



— TJ Sullivan in LA